Emilee Robinson (b. 2000) is a research-led artist living and working on Gadigal Country (Sydney, Australia).
Emilee’s practice examines the unstable architecture of memory, where fragments of the past gather within objects and archival remains.
Through acts of collection and casting, she approaches childhood as a site of both attachment and erosion - something compulsively preserved yet continually slipping from view. Souvenirs, degraded photographs, toys, and other residual fragments become carriers of a past self, where memory folds into distortion and loss. Her work sits within the tension between stockpiling and surrender, attempting to hold a past worn away by time.
Emilee’s practice examines the unstable architecture of memory, where fragments of the past gather within objects and archival remains.
Through acts of collection and casting, she approaches childhood as a site of both attachment and erosion - something compulsively preserved yet continually slipping from view. Souvenirs, degraded photographs, toys, and other residual fragments become carriers of a past self, where memory folds into distortion and loss. Her work sits within the tension between stockpiling and surrender, attempting to hold a past worn away by time.
I acknowledge the Gadigal people of the Eora Nation, on whose land I live and work. Sovereignty was never ceded - always was, always will be.